Showing posts with label Zoe Skoulding. Show all posts
Showing posts with label Zoe Skoulding. Show all posts

Thursday, 30 September 2010

A truly pluralist UK event

When one of last year's Eliot Prize judges commented on the breadth of the shortlist, when another poet commented on the impressive range of the Ted Hughes Award shortlist, I laughed, as the breadth of each seemed about the width of my thumbnail.

Now comes an outstanding "colloquy of poets" at the University of Hull this November, where Philip Gross and Tony Lopez have each invited four favourite poets to read with them in a wonderful array of readers and poetries: John Burnside, Kelvin Corcoran, Peter Manson, Daljit Nagra, Denise Riley, Zoe Skoulding, Carol Watts, and Susan Wicks. Unfortunately, the event is the same weekend as the National Association for Writers in Education annual conference, so I'll miss it, but if you'd like to attend (and report back?), you can find further details here--just scroll down to 13-14 November.

Thursday, 21 May 2009

Poetry Days in London: Wednesday, 13 May

(That's right, there were three days in a row of this delight.) I spent the afternoon at one of my favourite places, The British Library, doing some research for my introduction to the anthology I'm editing for Shearsman, Infinite Difference: Other Poetries by UK Women Poets. I'm very pleased with the anthology's range, with such poets as Caroline Bergvall, Elisabeth Bletsoe, Carol Watts, Claire Crowther, Zoe Skoulding, Sophie Mayer--the list goes on! To my surprise and pleasure, a while into my research I started writing the intro--it poured onto the paper, and I could see the structure for the essay as a whole. After worrying about how to present and structure it for some months now, I was relieved to have the matter solved. 

That evening Claire and I attended the launch of C.K. Stead's Collected Poems (Carcanet) at New Zealand House. There I met the man himself (who knew my poems from TLS!), Eric Ormsby, Anthony Thwaite, and Siobhan Campbell, and saw some familiar faces, in particular Jane Yeh and Todd Swift. In other words, great conversation bubbled on and on. 

Afterward, Jane, Siobhan, Claire and I decided to go to dinner nearby, and Jane took us to a wonderful Korean restaurant (I'll ask her the name and revise this with it when I have it). We tried a number of unexpected, delicious, and interesting dishes and talked the night away (the launch had begun at 6, so it was only eight or so when we went to dinner). Indeed, when we left and went to catch the tube, Claire and I saw it was eleven-thirty (!) and we'd have to catch a night bus back to Claire's. We didn't stop talking the entire trip; we were both buzzing over the ideal night.

Thursday, 23 April 2009

Wales Book of the Year Longlist 2009

There's a proportionally high amount of poetry this year--exactly half the ten-book list, a consequence of Tiffany Atkinson's role on the judging panel, the quality of poetry submissions this year, or both. The poetry titles are Matthew Francis's Mandeville, Robert Minhinnick's King Driftwood, Sheenagh Pugh's Long-Haul Travellers, Zoe Skoulding's Remains of a Future City, and Samantha Wynne Rhydderch's Not in These Shoes. The other titles are Deborah Kay Davies' Grace, Tamar and Lazlo the Beautiful (a short-story collection), Joe Dunthorne's Submarine (a debut novel), Stephen May's TAG (novel), Dai Smith's Raymond Williams: A Warrior's Tale (biography), and Gee Willliams' Blood etc. (short-story collection). While I haven't read all the poetry titles, Mandeville and Remains of a Future City both deeply impressed me, and neither has received sufficient critical acclaim; I'm delighted they're on the list.