Showing posts with label Fulcrum. Show all posts
Showing posts with label Fulcrum. Show all posts

Tuesday, 29 June 2010

Selections from Edward Dorn's Gunslinger I & II (Fulcrum, 1970)

A rich and strange book. I'll be returning it to The Poetry Library this week should someone else wish to experience it.

from Book 1 (easier to excerpt as the narrative is just beginning)--

He would show you his map.
There is your domain.
Is it the domicile it looks to be
or simply a retinal block
of seats in,
he will flip the phrase
the theater of impatience.

*

my mare lathers with tedium
her hooves are dry
Look they are covered with the alkali
of the enormous space
between here and formerly.

*

STRUM
strum
And by that sound
we had come there, false fronts
my Gunslinger said make
the people mortal
and give their business
an inward cast. They cause culture.

*

Stranger you got a pliable lip
you might get yourself described
if you keep on.

*

and as the disputational 44
occurred in his hand and spun there
in that warp of relativity one sees
in the backward turning spokes
of a buckboard, then came suddenly
to rest, the barrel utterly justified
with a line pointing
to the neighborhood of infinity.
The room froze harder.

*

Your vulgarity is flawless
but you are the slave
of appearances--

*

You make the air dark
with the beauty of your speed,
Gunslinger, the air
separates and reunites as if lightning
had cut past
leaving behind a simple experience.

*

to her swelled black mound
her startled faun
which has the earthy smell
of slightly gone
wild violets


from Book 2--

I didn't know you had a drawl, Slinger

I dont, I slow up at noon
from the inertia of National Lunch
and from the scatteredness
of the apexed sun which attempts
at that point to enter a paradox--
namely, The West which is The East.


Edward Dorn
Gunslinger 1 & 2 (London: Fulcrum, 1970)


The entire Gunslinger is available from The Book Depository.

Thursday, 9 October 2008

Lorine Niedecker's North Central (London: Fulcrum, 1968)

NB: as Blogger does not allow indention (as far as I know), the placement of lines is sometimes incorrect.



Beauty: impurities in the rock

"Lake Superior"

We are what the seas
have made us

longingly immense

*

Ah your face
but it's whether
you can keep me warm

*

Sewing a dress


The need
these closed-in days

to move before you
smooth-draped
and color-elated

in a favorable wind

*

Shelter


Holed damp
cellar-black beyond
the main atrocities
my sense of propriety's
adrift

"Traces of Living Things"


Pigeons
(I miss the gulls)

mourn the loss
of people
no wild bird does

"Wintergreen Ridge"