Showing posts with label The Poetry Book Society. Show all posts
Showing posts with label The Poetry Book Society. Show all posts

Friday, 12 April 2013

Imagined Sons (Seren Books, 2014)


I'm delighted to announce that Seren Books, which did such an impressive job with my first collection, The Tethers, will be publishing my third book of poetry, Imagined Sons. This is my first strongly thematic work, exploring a birthmother's consciousness through two kinds of poems: Imagined Sons, prose poems where the birthmother encounters the son in different guises once he's come of age (baker, hotel clerk, surfer, black olive, etc.) and catechisms, where the same recurring question provokes different answers over time.

I first completed a draft of the manuscript in 2006 and produced a pamphlet manuscript from it for Oystercatcher Press in 2009, The Son, which was named the Poetry Book Society Pamphlet Choice for that quarter. Poems in the book have appeared or are forthcoming in Barrow Street, The Iowa Review, Long Poem Magazine, New Walk, New Welsh Review, PN Review, The Republic of Letters and The Times Literary Supplement.

Reviews of The Son have been wonderfully heartening, with Peter Riley describing it as "quite startling--a serious work about loss through a terrific play of imaginative resource." David Morley wrote in Poetry Review: "Carrie Etter's sparkling, serious beating-out of prose poetry and catechism continues in a finely judged sequence, grieving and honouring and surprising on every page. 'It is time' (Etter quotes Celan) 'the stone made an effort to flower'. And so this fine book, its respect, sadness and subject." 

Over the next few days, I'll be giving the manuscript its probably hundredth read and searching for potential images for the book's cover. A great way to spend what's forecast as a rainy weekend!
 
 
 

Friday, 1 January 2010

Imagined Sons (Seren, 2014)





If you go to Seren Books' website and join their free book club, you can purchase Imagined Sons for 20% off. Follow this link.

With readings (in chronological order): Seattle, WA; London; Plymouth; Bradford on Avon; Cheltenham; Bristol; Providence, RI; Claremont, NH; Cambridge, MA; Portsmouth; Cardiff; Oxford; Reading; Swansea; Ledbury; Nottingham; Norwich; Sheepwash; Exeter; Leicester; Chichester.


Advance praise for Imagined Sons

"In Imagined Sons Carrie Etter reflects on the experience of a birthmother who gave up her son when she was seventeen. In a series of haunting, psalm-like prose poems of enormous courage and insight, she describes possible encounters with this son now in his late teens, expressing how ‘sometimes the melancholy arrives before the remembering’. The series of ‘Birthmother’s Catechisms’ return to repeated, harrowing questions that yield different answers at different moments. This quite extraordinary book by a writer of great imagistic power and skill leaves a mark on the reader which is ineradicable. These are poems of the utmost importance."   --Bernard O'Donoghue

"Carrie Etter’s stellar new volume, Imagined Sons, folds the wrenching passion of displaced motherhood into a fascinating sequence of poems.  Etter writes with intelligence, imagination and style—and not a shred of sentiment.  Each poem packs a profound surprise as the birthmother’s vision of a son reappears in guises equally palpable and surreal.  Neither a memoir nor a narrative, the book opens lyric windows to interior experiences, and it rings with psychological truths.  This gifted poet defines poetry as she wrestles with ambiguity."   --Molly Peacock


Reviews of the Poetry Book Society Pamphlet Choice, The Son (Oystercatcher, 2009), which provides the basis for Imagined Sons:

Peter Riley describes The Son as "quite startling--a serious work about loss through a terrific play of imaginative resource," while the selectors of the pamphlet choice remark, "There is something too, about how time moves, or how it doesn't, in a world akin to that nightmare in which you are running and running and your legs are jelly and you are getting nowhere. The fact that the poems in this collection are either prose poems, which can shuffle on the spot, rather than move along with a sense of narrative, or catechisms which go back and forth with different responses to the same question, adds to an overall feeling of being trapped. Indeed, these poems work by accretion, so the more you read, the more powerful that feeling becomes."

More positive reviews

"Carrie Etter's sparkling, serious beating-out of prose poetry and catechism continues in a finely judged sequence, grieving and honouring and surprising on every page. 'It is time' (Etter quotes Celan) 'the stone made an effort to flower'. And so this fine book, its respect, sadness and subject." --David Morley in Poetry Review

"The "Imagined Sons" poems are short dream-like stories, which hit exactly the right note, as suppressed emotion resurfaces in our dreams. There's a surrealist element to these stories, with a motif of a young man, familiar, but out-of-reach, the repetition of which builds up a powerful sense of longing.

The first and last poems - both in the catechism form - link the personal loss to the public loss of the 9/11 attacks. It's a risk, but it works, due in part to the understated nature of the poems; in fact, it succeeds in universalising an experience that might otherwise be intensely personal." --Alan Baker on his blog, Litterbug 


"What impresses me is how complex ideas have been made so enjoyable to read. The narratives are fluent, intriguing, somewhat surreal, and often humorous. They seem simple, yet strange, and are deeply affecting. They mine the deep pit of memory and expectation, and are haunted by what they don’t know, what isn’t said, what remains lost or unfathomable." --Rob A. MacKenzie, Sphinx 19 

"
This is a moving collection of texts: some are prosy and some are lyrical. It is not like anything else I have ever read: 

.......How did you let him go?

.......Who hangs a birdhouse from a sapling?

How that hurts!" --Helena Nelson, Sphinx 19


The Son evokes a birthmother's consciousness through two kinds of poems: Imagined Sons, prose poems which envision the now-grown son and birthmother in a moment of contact; and Birthmother's Catechisms, in which the same question--e.g., What day is today?, How did you let him go?--recurs with changing answers. Moreover, after Al Qaeda's attacks on the US in 2001, the anniversary of the son's birth becomes complicated by the fact that both occur on September 11th.

Poems in the pamphlet first appeared in Barrow Street, PN Review, The Republic of Letters, and The Times Literary Supplement, among other journals.

Tuesday, 1 January 2008

Pamphlets


Homecoming

Dancing Girl Press, September 2013
$7 US plus P&P / £5 direct

Homecoming picks up on a sense of isolation in the American Midwest as well as its emphasis on the more positive attributes of family life. Thus when the father falls to injury and illness, his decline upsets the meanings of family, selfhood and home. Poems in Homecoming first appeared in Court Green, New Welsh Review, Notre Dame Review, Poetry Ireland Review, Poetry Wales, The Rialto, Sentence: A Journal of Prose Poetics, The Times Literary Supplement and The Warwick Review.

Positive reviews have appeared in Sabotage Reviews, Elsewhere and Luna Luna.





* * * 


Divinations

Punch Press, June 2010
$10 US / $15 elsewhere (SOLD OUT)

Twenty poems from the series Divining for Starters, originally published in Alterran Poetry Assemblage, Cannot Exist, Damn the Caesars, Gists & Piths, Great Works, The Liberal, Painted, spoken, Poetry Salzburg Review, Poetry Wales, Shearsman, and Tenth Muse.

* * *

The Son

Oystercatcher Press, September 2009
ISBN 9781905885244
£4 including UK p&p

Poetry Book Society Pamphlet Choice


Peter Riley describes The Son as "quite startling--a serious work about loss through a terrific play of imaginative resource," while the selectors of the pamphlet choice remark, "There is something too, about how time moves, or how it doesn't, in a world akin to that nightmare in which you are running and running and your legs are jelly and you are getting nowhere. The fact that the poems in this collection are either prose poems, which can shuffle on the spot, rather than move along with a sense of narrative, or catechisms which go back and forth with different responses to the same question, adds to an overall feeling of being trapped. Indeed, these poems work by accretion, so the more you read, the more powerful that feeling becomes."

Other reviews include Alan Baker on his blog, Litterbug; three at Sphinx, by Rob A. MacKenzie, Marcia Menter, and Helena Nelson; and Rupert Loydell in Shadowtrain.

The Son evokes a birthmother's consciousness through two kinds of poems: Imagined Sons, prose poems which envision the now-grown son and birthmother in a moment of contact; and Birthmother's Catechisms, in which the same question--e.g., What day is today?, How did you let him go?--recurs with changing answers. Moreover, after Al Qaeda's attacks on the US in 2001, the anniversary of the son's birth becomes complicated by the fact that both occur on September 11th.

Many of the pamphlet's poems have already been published in Barrow Street, PN Review, The Republic of Letters, and The Times Literary Supplement.

The Son comes from a book-length manuscript, Imagined Sons, presumably forthcoming. It was launched at Mr B's Emporium of Reading Delights in Bath on 26 October 2009, along with Janet Sutherland's second collection, Hangman's Acre (Shearsman).

* * *


Yet
Leafe Press, February 2008
ISBN 9780953540198
£3.50 (UK) / $8.00 (US) (SOLD OUT)


"Technically Etter often makes use of the arresting juxtapositions of new sentence writing (in both prose and lineated forms) but counterpoints these with threaded-through continuities that generate more settled overall arguments. This is used to great effect in 'Paternal', which hints at family illness, even death, but in a way which keeps pathos firmly at bay [...]. Elsewhere this technique simply allows more space into the poem, and for the mind to savour the relationships between images as much as the images themselves [...]. Yet is an excellent introduction to Etter's work for British readers and promises much for her new books due this year and next."



"The eighteen or so poems here vary in structure, intent and layout—sometimes it seems perversely so, but Etter is a poet who knows exactly what she is doing. This isn’t in any sense an easy collection and I mean that as an endorsement. I was intrigued, impressed and ultimately bowled over by its hard-won lyricism."


--Eleanor Livingstone, Sphinx


* * *
Subterfuge for the Unrequitable
Potes & Poets, 1998
ISBN 9780937013793
$6.00 (SOLD OUT
)



To “register the tongue’s torque,” Carrie Etter’s poems show great skill and a willingness to take risks, both rare things in a “first book.” This writing is simultaneously “out there” and always also immediately present (in the most literal sense of “with it”), an experience that is by turns centering and dizzying. It’s quite a ride.
Ron Silliman
Attention and compassion direct this finely chiseled work. Etter’s quick eye focuses on precise moments of change and of emergence—those crucial moments where life gets really interesting—and sculpts them into wholes with an unusually attuned ear, an ear that catches always a subtle music and often a marvelous oddity—what an agile vocabulary! These are poems that wake you up when you thought you were already awake.
Cole Swensen