Showing posts with label Tony Frazer. Show all posts
Showing posts with label Tony Frazer. Show all posts

Monday, 27 April 2015

Peter Riley's Due North (Shearsman, 2015), third and final selection

My thanks go to Tony Frazer, editor at Shearsman Books, and Peter Riley, for allowing me to post so many quotations. Here's a final round of favourite passages from Riley's new collection:


...they asked us what songs we'd brought with us.

*

We'll evict ourselves when we need to.

*

from "VII. Lateral Spread and Forward March. Erwartung. Préludes."


Apocalypse too is lullaby.  

from IX

That name I was, blown away in cloud as this life must flit

with the winged seed driven under the stone, calling in vain for respite. 

*

Break the lifeline down to the pain and

desire that everyone knows. There is nowhere else. There is nowhere else

to be or speak. The earth enters you back into its folds unsatisfied, there

is no other song; there is only September, when the falling year offers us

everything there is, and teaches us to measure the distance. 

*

A network of bright lines falls over experience, like a field system, breaking

the grip of totality as the wave breaks on the shore or the air on the

mountain side. In and across these polygons we attach principles and

mitigate conflict. It is painful walking downhill on stones with exhausted

calves but script will bear us to the end.

*

Language failed him.



As it fails us all, and we tighten the cord on the tent flap asking sleep

come shine along. 

from "XI. The Ascent of Kinder Scout"


Who comes in the form of a black dove

and flies into the future?

*

How am I to resolve the contradictions? Parts of the brain

close down and the music touches the heart. But to rescue us


We need the mind entire. The mind the place the night the river

the stars the black bird and the wine. We cannot afford wine


Or toffee, or mother's milk. All flesh is as grass but

we can't afford grass. Yours faithfully.

from "XII. Angel Meadow"


Thursday, 21 January 2010

Infinite Difference: it's coming!

We are in the home stretch now for Infinite Difference, the anthology of UK women's Other poetries I've been working on for Shearsman since August 2007. We is basically myself and Tony Frazer, editor and publisher of Shearsman Books, if you didn't know. If I had a pound for every email exchanged between us regarding the anthology, I'd be planning a long trip to India.

At this stage I'm anxiously waiting to hear from our blurbists, hoping they like the work, hoping they find my introduction more or less sound. Actually, I want them to love the book, to love it like I've come to love it, with its splendid range of poetries and intriguing, thoughtful poetic statements. In the meantime, postcards are being printed (hurrah!), I'm proofreading the authors' bios and statements (they've proofread their own poems already), and I'm planning the London launch on the tenth of March.

I'm starting to think I should have the launch videotaped, because it's looking more and more like An Event. Fifteen of twenty-five contributors have confirmed they'll read, another two have said maybe, and another (namely me) will be running the proceedings. Unfortunately it means that introductions will be almost as brief as possible and each reader has only 4-5 minutes, but still! Here's the current list: Sascha Akhtar, Isobel Armstrong, Caroline Bergvall, Andrea Brady, Emily Critchley, Claire Crowther, Catherine Hales (all the way from Berlin), Frances Kruk, Rachel Lehrman, Wendy Mulford, Redell Olson, Frances Presley, Sophie Robinson, Zoë Skoulding and Carol Watts. What a line up! It's as though I decided to produce a reading I'd really enjoy and then.... Wait, that's partly what this anthology is, the best women's non-Mainstream poetries I could find. I can hardly wait to hold the finished book.

Saturday, 7 November 2009

Online Notices

Thanks to George Ttoouli for his kind remarks on the launch of The Son in Bath last week.

And somehow only now have I come across
an article published in El Mercurio (according to Tony Frazer it's Chile's equivalent of The Times) on New Year's Eve in 2004. Tony Frazer translates the passage in which my name is mentioned thus: "
As for poetry, the global scene is vast, dynamic, diversified and in some cases brilliant (the recently deceased Anthony Hecht, Monica Ferrel, John Ashbery, Charles Simic, John Mole, Carrie Etter, Brad Leithauser are mere sample [names] (or: illustrative examples) in the thriving English language poetry of today. In other words, if we left our parochial surroundings, we would be able to see a literary landscape [that is] stimulating, energetic, provocative, tempting, very diverse and a contrast with the backward republic of native letters."

How I got on that list--how I'm known to Camilo Marks--I don't know, but to be among those poets and to have my work described as "brilliant" thrills me.