Showing posts with label Claire Crowther. Show all posts
Showing posts with label Claire Crowther. Show all posts

Tuesday, 31 March 2015

Claire Crowther's On Narrowness (Shearsman, 2015)

Some favourite passages:


Mosquitoes charged me with their sour sugar
outside the vinegar house. Six years, ten years,
sixty, it ferments from oak to juniper
to chestnut to cherry and back to oak wood barrels,
balsamic vinegar separating itself
from a hundred year old mother sediment.

opening stanza of "The Apology"


...till we both are
woken by pain with its orange beak.

end of "Separation"


I cling to you tighter 
than a striped shell
on a fennel stalk.

last stanza of "Snail"


A translator can add only humility
to the original.

from "TB Hospital, 1944"


         She watched a ship
slip into pearl while sunset

picked up importance.

from "Alcyone"


His rage fermented into speechlessness.

 from "The Night of Misrule"


What do you make of this dangerous space,
the gutter? Children commandeer it and conjure
what they can from such silken dust as is
human and poor.

opening stanza of "Graffitista"


...a goddess bereft of
her creation, summoning
my existence to her high sound.

*

...my whole 
halo of seeds.

from "A Dormative for Strings"


Not a wolf. Surely there is not
a wolf. Some other. I must be guarded.

end of "Opponent"


...if I get lost in End Erring,
find me. I'll be ankling over
stones. At least my backpack,
external organ full of function,
and my marks on snowy bark,
finally at ease with repetition, 
find them, find them.

end of "A Wanderer in End Erring Wood"


Our friends are scrambling towards the top stone stretched
like wall. I hope they sit on it and wave.
The wind has mounted those yew trees.
They're not upright nor our friends.

opening stanza of "Rockborne"



Saturday, 29 March 2014

Imagined Sons launched at the West Barn, Bradford on Avon, 28 March 2014

Thanks to everyone who came and made it a wonderful night!




The launch viewed from outside the glass at the West Barn





My reading from Imagined Sons after an outstanding introduction by Claire Crowther





Blurry, but still great! Gerard Woodward, me and Tim Liardet, three of Bath Spa's faculty poets




Josephine Corcoran and Tania Hershman pose with their copies of Imagined Sons




Thanks to Reiss McGuinness for taking the photos.



Tuesday, 25 September 2012

100,000 Poets for Change in Bath on Saturday, 29 September

Here is the final schedule for Bath's day of readings as part of the international 100,000 Poets for Change, this Saturday, 29 September at the Bath Royal Literary and Scientific Institute on Queen Square, with all money raised going to support Julian House, Bath's charity for the homeless. We'll be in the large Elwin room. Here's the schedule:

2:30-3 p.m. Bath Poetry Cafe, with readings from David Cohen, Teresa Davey, Rose Flint, Rosie Jackson, Jill Sharp and Sue Sims

3:10-3:40 p.m. A Pamphlet Party, with poets reading from their pamphlets: Seren Adams (Small History, Shearsman), David Hale (The Last Walking Stick Factory, Happenstance), Dikra Ridha (There Are No Americans in Baghdad's Bird Market, Tall Lighthouse), and Robert Walton (Waiting for the Wave, Pighog)

3:50-4:20 p.m. Bath Spa University MA Poets Past and Present: Graham Allison, Daisy Behagg, Matthew Haw, Caroline Heaton, Alan Summers, Natasha Underwood, John Wheway and Andy Wright 

4:30-5 p.m. Swindon Artswords Presents, with readings from William Bedford, Emily Harrison, Cristina Newton, Bethany Pope and Hilda Sheehan

5:10-5:40 p.m. Bath Spa University Undergraduates

Dinner break

7:30-8:05 p.m. David Briggs and Kelvin Corcoran

8:20-8:55 p.m. Claire Crowther and Tim Liardet 



There will be drinks and books tables throughout the event (manned by Bath Spa student volunteers), and donations will be requested for Julian House. There is no entry fee as such. I am most grateful to Bath Spa University for its support--paying for the room, readers' travel expenses, etc.--so that all donations can go directly to Julian House.

Wednesday, 5 September 2012

100,000 Poets for Change day of readings in Bath


As part of the international 100,000 Poets for Change, I've organized a day of readings on Saturday, 29 September at Bath Royal Literary and Scientific Institute on Queen Square, with all money raised going to support Julian House, Bath's charity for the homeless. We'll be in the large Elwin room. Here's the schedule:

2:30-3 p.m. Bath Poetry Cafe, with readings from David Cohen, Teresa Davey, Rose Flint, Rosie Jackson, Jill Sharp and Sue Sims

3:10-3:40 p.m. A Pamphlet Party, with poets reading from their pamphlets: Seren Adams (Small History, Shearsman), David Hale (The Last Walking Stick Factory, Happenstance), Dikra Ridha (There Are No Americans in Baghdad's Bird Market, Tall Lighthouse), and Robert Walton (Waiting for the Wave, Pighog)

3:50-4:20 p.m. Bath Spa University MA Poets Past and Present: Graham Allison, Laura Burns, Matthew Haw, Caroline Heaton, Alan Summers, Natasha Underwood, Andy Wright and several others

4:30-5 p.m. Swindon Artswords Presents, with readings from William Bedford, Emily Harrison, Cristina Newton, Bethany Pope and Hilda Sheehan

5:10-5:40 p.m. Bath Spa University Undergraduates, with readers to be confirmed

Dinner break

7:30-8:15 p.m. Emerging Poets, with readings from David Briggs, Rory Waterman and possibly one other poet to be confirmed

8:30-9:15 p.m. Kelvin Corcoran, Claire Crowther and Tim Liardet 


There will be drinks and books tables throughout the event (manned by Bath Spa student volunteers), and donations will be requested for Julian House. There is no entry fee as such. I am most grateful to Bath Spa University for its support--paying for the room, readers' travel expenses, etc.--so that all donations can go directly to Julian House.

Tuesday, 13 December 2011

Fabulous new poems by Claire Crowther

and many others compose Blackbox Manifold's seventh issue, including Nathaniel Mackey and Aidan Semmens. There's also a strong translation section with contributions from Tim Atkins, Vahni Capildeo, Rod Mengham, Justin Quinn and Keston Sutherland, among others.


(Here's where I admit to possible bias re: Claire's poems; she's a close friend. Nonetheless, the poems are startlingly good.)

Friday, 24 June 2011

Pamphlet review in TLS

A roundup review of pamphlets in today's TLS includes favorable reviews of both Claire Crowther's Mollicle and Tim Liardet's Priest Skear. Read it here.

Friday, 3 December 2010

Claire Crowther's Mollicle, second selection



What Else Can I Do?

Examine yourself, river.
Wind, you have collapsed
from your adrenalin rush.
Sun, you've flooded the vertical,
splashing reeds and palming
planes. Damaged oak,
you have no heart or gut,
your only organ, skin.
I cling to you tighter
than a striped-shell snail
to a fennel stalk.


Claire Crowther
Mollicle

Tuesday, 30 November 2010

Claire Crowther's new pamphlet, Mollicle--first selection


Here's my first selection from Claire's new pamphlet,
Mollicle, published by Nine Arches Press. Tomorrow she'll be launching it in London alongside Matt Bryden with his prizewinning pamphlet, Night Porter (Templar, 2010), and me with my US chapbook, Divinations (Punch Press, 2010), now sold out but for the four copies I'm bringing to the event. For details of the reading, please see the Readings & Events page.


Self Portrait as Windscreen


Do you think I'm clear on every issue
just because I'm glass?
Have you heard yourself calling 'Claire,

Claire, Claire, Claire' when you're confused?
A name is lulling
when you aren't clear on every issue.

So your favourite phrase 'Let's be clear
on this one thing'
is the public face of 'Claire, Claire.'

I see you everywhere, using my nature,
hardened from soft,
imagining you're clear. Fired, made

to soften, harden again. We're laminated.
The crack that comes
won't shatter us or your calling.


Claire Crowther
Mollicle (Nine Arches, 2010)


Monday, 8 November 2010

They just keep on coming--Steven Waling's rave review of Infinite Difference

"This is an important anthology of often dizzingly innovative writing, going from the relatively straightforward poetry of Claire Crowther to the stranger shores of Caroline Bergvall's more conceptual verse....[T]his is a brave attempt to represent poetries that are often excluded from the usual conversations about the art form....New approaches to landscape, to the personal lyric, to the political, abound in this challenging and fascinating anthology."

Steven Waling in the current issue of The North

Tuesday, 10 August 2010

A writing intensive

That's the best phrase I can think of to describe Claire Crowther and I's period of concentrated poetry writing and reading in the same abode. Last year we had a full week; each day, virtually all day we read poetry and wrote and revised poems; each night we swapped poems for feedback and/or shared new poets with one another. This time we have only four days, but I hope to make the most of them. We begin today!

Thursday, 22 July 2010

Shadowtrain 34 is out...

...with contributions by Claire Crowther, Rupert Loydell, Steve Spence, and yours truly, with three prose poems. Take a look.

Tuesday, 6 July 2010

Dublin reading podcasts

My reading in June on the Wurm im Apfel series in Dublin is now available in two podcasts from iTunes (simply search for my name under the description--not author) or for streaming online on this page of the Wurm im Apfel site. I read selections by Claire Crowther, Frances Presley, Anna Reckin, and Lucy Sheerman from Infinite Difference: Other Poetries by UK Women Poets, as well as some of my own work from that anthology and from my pamphlet Yet (Leafe, 2008). Thanks to Kit Fryatt and Dylan Harris for the invitation and their generosity, and to Poetry Ireland for funding the event.

Thursday, 17 June 2010

Vive la Différance!

The new Poetry London (Summer 2010) carries, as its final piece, Tim Dooley's full A4-page review of Infinite Difference with the splendid title "Vive la Différance". It has some quibbles about choice of poets/categorization (as with all anthology reviews), the academicism of some of the poetics statements (saw it coming), and the proportion of the parts of entries (strange as the poetics statements are up to one page, the entries up to eight, the biographies no more than 150 words), but the tone manifests interest in appreciation throughout.

On poetics statements Dooley speaks well of Claire Crowther and Marianne Morris; of poems he enthuses about Denise Riley, Elisabeth Bletsoe, and Morris (all the better for TLS's ignorant slighting of her). These are meant as a representative sample, the review suggests, not as the only occurrences.

If I've delayed in commenting on this review, it's in part because I've been drowning in year-end marking, in larger part because of the graciousness of the final sentence, which makes me feel all the hours were worthwhile but also makes me feel (abashed?). It may be one of the best things anyone's said about me. I dearly hope Dooley's right--I aspire to it.

"Carrie Etter has performed a service for the wider readership of poetry in bringing together these distinctive voices."

Wednesday, 5 May 2010

Reading Claire Crowther's "The Thike" on Poetry Radio

A recording WGLT made of my reading of Claire Crowther's poem, "The Thike," aired on their Poetry Radio programme on 29 April and can be heard here.

Wednesday, 31 March 2010

Reading Claire Crowther's "Petra Genetrix" on Poetry Radio

A recording I made last year of Claire Crowther's poem "Petra Genetrix" was aired on WGLT's Poetry Radio last Thursday and can be heard here.

Sunday, 28 February 2010

Infinite Difference, sampler no. 6: Claire Crowther's "Young Woman with Scythe"

Young Woman with Scythe

As if soil was noise, the legal notice
shivered on the barrow. Louise tore off
her scything gloves. High on a pine, wild
parakeets, harbingers of change
in our climate, stared from their margin, chattered
about apocalypse. Carefully, eking
out a holiday, I watered plants.
That's my dialect of territory
against the elocution of possession.
I looked for so long at Louise's face,
that, in the bedroom mirror, it smoothed mine.


Claire Crowther


The anthology can be pre-ordered from the publisher, Shearsman Books, and The Book Depository in the UK and from The Book Depository or Small Press Distribution in the US.

Monday, 12 October 2009

Etter and Crowther review and interview

In the new issue of the online journal Horizon, there's a piece where Claire Crowther and I comment on each other's work and interview one another. It was a great pleasure to do, as I'm so fond of Claire's work but have little opportunity to write about it given that she's one of my closest friends.

Sunday, 13 September 2009

Poetry Radio on WGLT

On this visit to the States (I've just a few days left), I completed a new recording for Poetry Radio, a program of NPR affiliate WGLT 89.1. I read eight or nine poems from The Tethers as well as two poems each by Claire Crowther and Matt Bryden. As I'm reading at Illinois Wesleyan University on Tuesday, WGLT decided to air today a recording of my reading one of my own poems, "Late Winter, Early Year," on at both 10 a.m. and 10 p.m. and also available to listen to as a podcast here, for at least a month. There are some fine poems to be heard; I recommend Cecil Giscombe in particular--I've admired his work for years.

I'd like to thank Bruce Bergethon, General Manager at WGLT and founder of Poetry Radio, for his steady support over the years--he's been recording me regularly since 1992, and that, and the presence that gave my poems in my hometown and surrounds, have meant so much to me.

Wednesday, 1 July 2009

The day's on fire! (literally and figuratively!)

A few months ago, Claire Crowther and I decided we'd take a week to write, enclosing ourselves in her and her husband's flat in Somerset (without said husband, lovely though he is). When I  submitted the leave form for work, I could hardly believe I was taking a week off solely for my writing--for years I've combined my visits home with writing rather than going to writers' retreats, but since my father's illness and death (that is, since February '07), it's been harder to set aside the time to do so given increased family responsibilities. 

So this is that week. Claire and I arrived in Somerset on Sunday night, made dinner, and talked about our plans. We'd decided to introduce one another to a poet who was important to us; we'd write from first thing in the morning till lunch, then get out for a while, then come back for dinner and to work; we'd comment on one another's poems; we'd read some of the books we'd been wanting to read; we'd get started on some reviews. 

And we've had three heat-ridden, exhausting, vegetarian (with the understanding that I'm not--yet--vegetarian), exciting, tremendous days.

We both came with different goals. I wanted to settle into work on my second book, Divining for Starters; Claire had many poems she wanted to revise; we both had reviews we hoped to start and finish for TLS. Because of mutual determination and reinforcement, we've both been successful. I read and took notes on Jennifer Moxley's Imagination Verses and reread Linda Gregg's Too Bright to See and have begun reading--and loving--Luke Kennard's latest, The Migraine Hotel; I drafted three poems on the first day, two poems each day since, pushing myself to experiment with form and style; and I'm well into my review for TLS, which I expect to finish by week's end. But the least measurable element has been the best--a steady stream of conversation about poetry, romantic relationships, family, and more poetry. I've never had a better friend.

Saturday, 27 June 2009

Claire Crowther's The Clockwork Gift


A sample poem--

Petra Genetrix


I won't replace lost wedding cutlery,
its broad straight limbs,
with new shallow spoons,
their writhing shoulderless handles--

Lines get broken.
All I see in museums
is the frozen watchfulness of a previous home.
Ancient knives found under Eden Walk are flints

polished in an age defined by how it ate.
There's no matching greenstone and dolomite
though I could still buy old patterns,
shell, feather, rat tail.

'Granny, did you throw away your silver?'
'The table of the moon is laid with it.'


Claire Crowther
The Clockwork Gift (Shearsman, 2009)

It can be purchased directly from Shearsman Books or from The Book Depository.