Some favourite passages from Anne Carson's long poem, 'The Glass Essay,' from Glass, Irony and God (New Directions, 1995):
Spring opens like a blade there.
*
You remember too much,
my mother said to me recently.
Why hold onto all that? And I said,
Where can I put it down?
*
Each morning a vision came to me.
Gradually I understood that these were naked glimpses of my soul.
I called them Nudes.
*
By now I was so cold
it felt like burning.
*
But by now the day is wide open and a strange young April light
is filling the moor with gold milk.
I have reached the middle
where the ground goes down into a depression and fills with swampy water.
It is frozen.
A solid black pane of moor life caught in its own night attitudes.
*
It is a two-way traffic,
the language of the unsaid.
*
The April light is clear as an alarm.
As we pass them it gives a sudden sense of every object
existing in space on its own shadow.
I wish I could carry this clarity with me
into the hospital where distinctions tend to flatten and coalesce.
*
His face cracks open it could be a grin or rage
and looking past me he issues a stream of vehemence at the air.
*
Sunlight flocks through the room.
*
He used to be a big man, over six feet tall and strong,
but since he came to hospital his body has shrunk to the merest bone house--
except the hands. The hands keep growing.
*
I stared at the back of her head waiting for what she would say.
Her answer would clear this up.
But she just laughed a strange laugh with ropes all over it.
*
Those nights lying alone
are not discontinuous with this cold hectic dawn.
This is who I am.
Spring opens like a blade there.
*
You remember too much,
my mother said to me recently.
Why hold onto all that? And I said,
Where can I put it down?
*
Each morning a vision came to me.
Gradually I understood that these were naked glimpses of my soul.
I called them Nudes.
*
By now I was so cold
it felt like burning.
*
But by now the day is wide open and a strange young April light
is filling the moor with gold milk.
I have reached the middle
where the ground goes down into a depression and fills with swampy water.
It is frozen.
A solid black pane of moor life caught in its own night attitudes.
*
It is a two-way traffic,
the language of the unsaid.
*
The April light is clear as an alarm.
As we pass them it gives a sudden sense of every object
existing in space on its own shadow.
I wish I could carry this clarity with me
into the hospital where distinctions tend to flatten and coalesce.
*
His face cracks open it could be a grin or rage
and looking past me he issues a stream of vehemence at the air.
*
Sunlight flocks through the room.
*
He used to be a big man, over six feet tall and strong,
but since he came to hospital his body has shrunk to the merest bone house--
except the hands. The hands keep growing.
*
I stared at the back of her head waiting for what she would say.
Her answer would clear this up.
But she just laughed a strange laugh with ropes all over it.
*
Those nights lying alone
are not discontinuous with this cold hectic dawn.
This is who I am.
How beautiful! So many words to savour. 'the merest bone house' Astonishing! Thanks for this read. Best, cat
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